Tuesday, 20 October 2009

Television - A Poor Man's Gold

In case you didn't know, I like to watch quite a lot of TV, both home-grown (Dr Who, Torchwood and many many comedy programs) and imported (Lost, Chuck and a lot of other US episodic drama), and I watch some of them on actual TV, many more via DVD, iPlayer and some .... other internet methods.

And recently, with the start of the new US TV Season, I've been going back to old favourites, and I also thought I'd try a new series, Flash Forward, which is currently airing here on the cultural wilderness known as Five. (On reflection, I'm being too hard on the poor channel, it does occasionally show good things - the current exception to it's "if it's not a procedural or a film, it has to be a rubbish documentary" rule is Ross Noble's Australian Trip, which IS a documentary, but not one of their usual ones with titles such as "The Giraffe that taught English as a Second Language in an obscure Antarctican Village", or "My Mother, the Top Hat". Whoops, I appear to have digressed a little, back to the point)



So, having sat through a few Flash Forward episodes, I'm sure you are all wondering what I thought of it. Is it, as some say, the new Lost?

Well no. Because there's no island, polar bear, obscure scientific research organisation or (so far anyway) Jim from Neighbours. (But it probably won't be long, he does turn up in just about every U.S. Drama Series at some point). But it's also not that because, unlike Lost, which started with an event that was unexplained, and has at every turn thrown up new events to be explained, Flash Forward's event was documented. And that is (for now, anyway) the ballgame. The event happened, this is the aftermath.

Except.... it just doesn't grip me. I tried my best, I sat through all the standard character types, assuming that at least one of them would develop, or that the plot might take an interesting turn, but I ended up actively switching off mid-way through episode 3 (I think), because I had completely stopped paying attention. I have no desire to watch it, and unless anyone that I know tells me that it gets better (as many people did with Heroes when I originally gave up a similar number of episodes in), then I probably won't give it a second shot. Although I will want to know the explanation behind the event and, more importantly, if it gets re-comissioned for a second season, I will want to know how they're going to continue as they will have passed the flash forward date by that point...

So for the moment, that's off my schedule. Which leaves me down to just two US shows that I am regularly watching as soon as I can after they air (being as Lost and Chuck don't re-start till after Christmas), one of which is the aforementioned Heroes.



Heroes and I have a intricately weaved past. Every time I try to give up on it, something happens to pull me back in. In the first season I watched a few episodes, and gave up until, towards the end of the season, a friend advised me to watch, and I did, watching the vast majority of season one in one sitting. At which point I grew excited for the finale, and then disappointed when I actually saw it. Still, a show that good must get better in Season Two, right?

Wrong. Season Two was just messy, lazy, and to be honest, only had enough plot (yes, I said plot, people travelling to see someone else for 8 episodes is NOT plot!) for about 4 or 5 episodes, and introduced some of the most annoying characters. Ever.

So Season Three? Tim Kring, creator, stated they'd learnt from the mess of Season Two, and had a new plan...and it sort of worked. In bits. But we got ANOTHER dystopian future (the third in three seasons) that needed to be stopped, we got characters completely changing their minds on things just for the sake of the plot, we got convulted Time Travel plots, Ali Larter playing a different crazy blond woman, Peter and Sylar both becoming way too powerful.... And Nathan being an ass. As always.

And I'm now a few episodes into Season Four, and I still don't know whether I want to stick with it. Of course, I will, because I'm hooked. And I have to know what happens. And its almost as if the writers know that, and are just twisting us along. For every good moment (Peter/HRG team-ups and Matt/Sylar mind battles), we get multiple bad ones (Sylar with Amnesia, A random selection of carnival villains, ANOTHER potential love interest for Peter (who has a frankly useless power), HRG moping, Claire entering a bisexual relationship (and that wasn't done for ratings at all was it??) and Angela Petrelli - just generally being as useless as she has been for three years). But this is where Heroes has got me, and Flash Forward hasn't. I cared about them at the start. And I'll therefore take all the crap, just to see how it ends. But Flash Forward? I'll just read about what happened.

"But Brawny, what's the other show you are regularly watching?" I hear you all yell. (Well I don't. But I can imagine that might be what you're yelling. Or at least that you might be gently mumbling under your breath as you peruse this blog. Or maybe you don't care. Well stuff it. It's my blog, and I'll tell you). It is, of course, the wonder that is House M.D.


By all rights I shouldn't particularly like this show. I'm a big fan of high-concept TV, which it isn't. I'm a big fan of sci-fi, which it isn't. And I usually can't stand procedural shows. Which it is. But it's just so damn good. Hugh Laurie is outstanding, and flanked by a superb support cast. And the writing is good, and funny. And it breaks with procedure JUST enough that it feels different, and you do often feel that an episode could not follow the schedule of
Mysterious illness - Ideas - Patient gets worse - More Ideas - Patient nearly dies - House has random thought that he connects to Patient - Patient saved - Interspersed with a subplot either involving Cuddy or Wilson, depending on who is less involved in the actual medical case.
And this season particularly (Season 6) has been outstanding, causing genuine changes in the Status Quo, (and yes, I'm aware I've capitalised that as if it was the band, but I like it. And as I pointed out in an earlier set of brackets, it's my blog. So if you don't like it, tough!) and I have no knowledge whether they are permanent changes, but it's a show that's never been afraid to do that before, so who knows?

To conclude : Watch House - Avoid Flash Forward - Put up with Heroes.

1 comment:

Sprog said...

I agree on FlashForward and Heroes.

FlashForward was interesting but I couldn't care about the characters.

Heroes is shit but I love the characters.

I'm trying to figure out if they're ever going back to the series 1/2 plotlines with Hiro being the ninja vigilante dude, Peter with a mashed face, etc. But considering the massive cast overhaul recently and the fact Hiro is dying, i'm not holding out hope :/